Peter Broderick and Greg Haines | Greg Gives Peter Space

 

@ErasedTapes

Ah Erased Tapes, the label that just keeps on giving! Along with Bella Union it has to be about the most exciting and most deadliest of all labels.

It’s been a lovely sunny day and to make things even better Erased Tapes has just announced a new collaboration between disgustingly talented musician/collaborator/performer/writer/genius Peter Broderick and composer/collaborator Greg Haines who we coincidentally had a post about earlier today.

The album will be released on June 16th. In the meantime raise your skinny fists to heaven and give praise for album preview track The Drive.

“Greg and I became good friends while both living in Berlin, around 2009 to 2013. We spent countless late nights playing records for each other, dreaming the dream of good music. We talked a lot about collaborating and even put in quite a few hours at each other’s studios . . . but for some strange reason we never seemed to finish anything. Maybe we were just busy enough with our other projects and didn’t feel in any rush. But we certainly had it in mind that we’d like to finish something one day. And we are very proud to say that day is finally here!

Primarily inspired by mine and Greg’s recent obsession with dub music, Greg Gives Peter Space is a mini album comprised of six tracks filled with – you guessed it – spacey sounds, created with the help of Greg’s ever-growing collection of synthesizers, tape delays and reel-to-reel machines. In the true spirit of dub music, many of the mixes were made live, both of us hovering over the mixing board, dancing around and following our intuitions, processing the sounds with live effects while the music bounced down to tape., We are extremely excited to release this record in the summer time and to celebrate with a few select shows around Europe. We’ve enlisted our dear friend Martyn Heyne to help us perform the music live, and we plan on bringing as much of the original gear from the recordings as possible. After years of playing fairly quiet music for an often seated audience, we can’t wait to get on stage and bounce around to some groovy rhythms, heavy bass and spacey synthesizers. Prepare for take-off! “ – Peter Broderick, April 2014

Peter Broderick (1987) is an American born multi-instrumentalist and singer. In his later teenage years he became entwined in the Portland (Oregon) indie folk scene, recording for the likes of M. Ward, Laura Gibson and Dolorean. 2007 saw him moving across the ocean to Denmark, where he began a long collaboration with the band Efterklang, touring the world with them for the next five years. Meanwhile he recorded several albums of solo material, ranging from sparse classical compositions (Float) to homemade folk music (Home), constantly experimenting with different musical genres, and also being commissioned to write music for several films and contemporary dance works. He then lived in Berlin for several years where he met and collaborated with Nils Frahm, Dustin O’Halloran and several others. He now lives back in America, near where he grew up, and continues to travel the world performing solo concerts and collaborating with a vast array of different musicians and artists.

Over the course of seven years, British born and Berlin based composer Greg Haines has carved out an intensely beautiful corner in the vast and ever-growing musical world. He has surprised music lovers around the globe with his unique and overtly personal approach to creating and performing a very patient and contemplative music, and with his numerous projects with other musicians and choreographers, including his collaborations with choreographer David Dawson for the Dutch National Ballet and the Royal Opera House, and his on-going work with The Alvaret Ensemble and The Group.

 

2 Responses

  1. May 1, 2014

    […] from feckingdeadly.com – By feckingdeadly Share on Facebook Tweet This Article var […]

  2. November 5, 2014

    […] and somehow joyous at the same time, coming on like a slightly warmer James Blake with a touch of Peter Broderick experimentalism (for example on Ten Duets) before launching into a full on audio assault that […]

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